Category: (Music)
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This CD is comprised of music composed and performed by the current High Priest of the Church of Satan, Peter H. Gilmore for the documentary "Death Scenes 2" by Nick Bougas. Released in 1992, it was the followup to the first film, narrated by the former High Priest, Anton Szandor LaVey. Mr. Gilmore's music is an electronic symphony, playing on the themes of misanthropy, destiny, and triumphal marches.
What?! No Samples?!Reviewed by Uber Duck, 2007-12-16
I think what would help sell this is sample audio excerpts. Once bought it can't be returned if it's an assault on the ears.
Absolutely indispensable.Reviewed by S. Crabe, 2006-01-24
An utter masterpiece; this is a collection of recordings that will shock with its scope and brilliance. These are dark, moody selections evoking rage, terror, beauty and victory with depth, sincerity and style. A powerful achievement.
Compendium Misanthropos Melancholia...Reviewed by Draconis Blackthorne, 2004-05-17
Finally, the long-awaited release from High Priest Gilmore has been
unleashed - a Death Scenes collection compiled in this atmospheric
compendium misanthropos melancholia with soundscapes and images
reaching deep into the dark subconscious. A veritable Jungian
journey in sight and sound which is evocative, Magical, and eerily
triumphant in its daemonic fanfare.
As explained within the booklet, these orchestrations originally
accompany the gruesome plethora of death and gore-laden footage
amassed by Producer Nick Bougas {Speak of The Devil} for his morbid
creation, the Death Scenes series, which also features Dr. LaVey
narrating volumes I & II. The insert also features The 7th
Statement, and a loving dedication to High Priestess Nadramia, and
is also a Memoriam to Anton Szandor LaVey.
In particular, I enjoyed portions from 'Man's Destiny' and 'Requiem
To Morrow' which employs what sounds like the knocking on skulls
and the sounds of the chiming of a Grandfather clock, a-la "the
ticking of time..." 'Consciousness Raising' bestows the impression
of a futuristic battle amongst the forces of Ming the Merciless,
with laser blasts and theremin effects.
The splendid artwork of Stephen Kasner lends most appropriate
ornamentation in a dream-like, nightmarish opus; the front image,
entitled "Away", appears to be a figure in a terrible desolation
{the "abomination of desolation", as it were}, and to Me, the back
image {entitled "I Love You"}, resembles Vampiric tendrils emergng
from the bottomless abyss to draw the lifeforce of some unfortunate
herdling, as well as the said titled phrase carrying an underlying
meaning as to its true purpose.
To fill the chambre with its musings may cause euphoric vertigo and
inspire dark visualizations. Each piece taps a dimension, like
reposing within the blackened fetters of a psychomantium, gazing
deep within the lambent mirror lit only with infernal light. Highly
recommended.